图片来源：Sergey Pivovarov / Reuters
The results are run across batch sizes of 10, 25, 50, 100, and 200. Naive utilisation hovers around 24% across all batch sizes — with some variance at smaller batches due to sampling noise — which is exactly avg / max_seq = 500 / 2048. It does not improve with scale because the waste is structural, not statistical.
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Key enhancements include a substantially increased sample rate capability of 24-bit/192kHz (the Pro-X was limited to 16-bit/48kHz) and the debut of MIDI support in the Go:Mixer range. Newly added effects comprise a compressor, equalizer, and reverb. Equalization and compression can be applied per channel, offering considerable creative flexibility, whereas reverb applies universally. A variety of reverb styles are available, with sufficient adjustment options to suit personal preferences. Some presets came across as somewhat artificial or less expressive, though others provided classic tones that complemented vocals and synthesizers well.